It was wild, wet and windy here in Bristol this morning. Combine that with the fact that I was out gigging until midnight, and that British Summer Time had the nerve to steal an hour of sleep from us, and I must be honest - I didn't fancy getting out of bed when my 8.30am alarm sounded this morning!
However, drag myself from my pit I did, and I had a great day playing acoustic songs for the Bristol Vintage Wedding Fayre at Freemason's Hall. It was lovely to meet lots of brides and grooms-to-be and chat all things wedding music. Lovely to see lots of friendly faces and mingle with fellow wedding suppliers too!
That's my last wedding fair of the year (unless I book in any last-minute) - so if you want to catch me singing live, keep an eye on the gigs page :)
Along with Aldwick Court Farm & Vineyard, I've now added Wick Farm Bath and Portland House, Cardiff Bay to my Preferred Venues list. Anyone booking a wedding guitar package through these venue's suppliers lists will receive a 10% discount on their overall quote. You can read more here:
Tonight I played some live acoustic music at Goldbrick House, Bristol for the Bristol Wedding Tweet Up. The Tweet Up is an informal get-together arranged by Kirsten aka The Little Wedding Helper for people in the wedding industry. It's a good excuse for us all to get together, have a glass of bubbly, some canapés and a good chinwag!
Goldbrick House is a lovely venue on Park Street in the centre of Bristol. I've played a couple of weddings there before, but never been up on the top level before (the Orangery). It's absolutely beautiful with some great views.
Here's my set lists from tonight:
Bob Marley - Three Little Birds
Eagle Eye Cherry - Save Tonight
George Ezra - Budapest
Zutons/Amy Winehouse - Valerie
Jack Johnson - Better Together
Jason Mraz - I'm Yours
Tom Odell - Grow Old With Me
Beatles - Here Comes The Sun
Otis Redding - (Sittin' On) The Dock Of The Bay
Blackstreet - No Diggity
Ed Sheeran - Don't
Bastille - Pompeii
Avicii - Wake Me Up
Pharrell - Happy
Stevie Wonder - Superstition
Killers - Mr Brightside
George Ezra - Blame It On Me
Stealers Wheel - Stuck In The Middle With You
Daft Punk - Get Lucky
Lumineers - Ho Hey
Bob Marley - Stir It Up
Jackson Five - I Want You Back
Oasis - Wonderwall
Tracey Chapman - Fast Car
Van Morrisson - Brown Eyed Girl
Ben E King - Stand By Me
As you will know if you've seen me live or watched some of my YouTube vids, I do a lot of looping. Performing with a loop pedal gives another dimension to my solo performances and I wouldn't be without the looper now!
For about 5 years I've been using the Boss RC-20XL, but I've finally upgraded to the newer RC-30. When I was choosing my pedal, I watched a few YouTube videos to help me decide - some of which were helpful, and some of which were less helpful. So I thought I'd do my own video, concentrating more on live performance, and adding my own thoughts. Hopefully it's helpful for someone in a similar position to me, looking to upgrade their looper. Here's my "out-of-the-box" first impressions video, and a longer review of the pedal is below:
I've now used the RC-30 out on the road a couple of times, and it's already improved my live performances massively! A huge thumbs up for this piece of kit - even after just two shows I feel like I couldn't do without it. It's very easy to use - you can use it as a simple one track looper, or get a bit more in depth with the dual tracks for some more advanced looping.
Here's a few thoughts on the pedal from my personal perspective as a performing solo guitarist/singer.
Which loop pedal to choose?
Loop stations are massively popular these days, and pretty much everyone knows about looping now, largely thanks to Ed Sheeran! I started using a looper about 8 years ago after watching this performance and went through a couple of pedals before sticking with the Boss RC-20XL. At the time, the Boss unit was the most solid and reliable unit I tried, and it had the bonus of a microphone input.
Loopers come in all shapes and sizes now, from the super simple one-pedal variety like the TC Electronic Ditto, through to multi-functional units like the Boss RC-300. There's software loopers too, which connect to your laptop or iPad. For me, a software looper is a no-no because a/ I need my setup to be fairly portable and quick to set up and b/ some of the venues I play get pretty rowdy, so I don't really want to bring expensive equipment along to these types of places! Plus, introducing a laptop/tablet introduces more potential reliability problems - best to stick with one pedal which does the job, in my opinion.
Which loop pedal to choose really depends on what you want out of it. These are my main requirements from a looper:
- reliability/build quality - ease of use - functionality - sound quality
The first point in particular was my main reason for getting the RC-30. I've spoken to some fellow guitarists and read a few reviews, and the reliability of some other loopers seemed to be an issue. The one thing that everyone seemed to agree on was that the Boss gear is built to last - and if my old RC-20XL was anything to go by, that's definitely true. I gigged that thing into the ground, and it never failed on me - I really need to be able to rely on my loop pedal, so I went ahead and ordered the RC-30. The RC-30 - Out of the box
Before I get to the unboxing, a quick shout out for woodbrass.com. Since I'm in the UK, the pound is very strong against the Euro at the moment so it's much cheaper to order gear from Europe. I'd never tried Woodbrass before, but their prices seemed good - and they included a free Boss PSU for the pedal. I've ordered gear from thomann.de before which has arrived with a European plug, so I checked with Woodbrass, and they send out a UK adapter with their orders. My order was delivered within a week of ordering - well packaged, with free delivery - and yes there was a UK adapter for the PSU. Brilliant service!
Going loopy
So - out of the box I'm instantly reassured by the same solid build quality as the older pedal. I find the pedals on these units really easy to use and accurate for looping. I've never been convinced by the small button-style stompboxes - I'm sure some of them are great, but the ones I've tried haven't always been easy to time loops accurately.
No one bothers reading instructions, so let's plug it in and see what happens. My first thought was "damn, they've sent me a faulty unit" because I couldn't get any life out of it. It turns out that you have to insert a jack into the output on the back of the pedal before it will fire up. I guess they've done this to preserve battery life if using batteries.
Sounds good
The first thing I notice is the improvement in sound quality over the RC-20. The instrument input is clear and crisp and on recording my first loop, the playback sounds identical to the signal. There was always a slight degradation with the old pedal, so I'm really pleased they've improved the preamps.
Plugging a microphone into the RC-30 doesn't fill you with dread in the way that the RC-20 did. An XLR input is now added, rather than a jack. Recording a vocal loop is much better than the old pedal - but let's qualify that by saying that that the RC-20's mic preamp was barely useable. I did used to use it, but it was always muffled and pretty awful.
Shure SM58 plugged into the RC-30
The sound quality of a dynamic mic direct into the XLR input is decent (I'm using an SM58). However, I really wish they'd added some kind of on-board EQ for the mic input, even if it was just a high-pass filter. When you build up multiple vocal loops, it's easy to get a build up of unwanted low frequencies - and anyone who's worked with audio knows that low frequencies can quickly dominate everything.
I've not tried a condenser mic into the pedal, as I will only be using a dynamic mic in live situations. However, the RC-30 includes phantom power should you require it, which is a nice touch.
Overall - sound quality is vastly improved over the RC-20. I've been using it live to build guitar and vocal loops and it's good - gives me much more confidence than the older pedal. Like I say though, I really wish they'd included a simple 3-band EQ on that mic input, or just a low cut button would've been better than nothing.
Usability
It's easy to get up and running quickly with the RC-30. Plug in, hit the left pedal to record a loop and hit it again to playback. The first thing you'll notice if you're used to the RC-20 like me is that the loop instantly starts overdubbing when you start playback. It took me a few goes to get used to this, but it will be second nature before long. It's a better way of looping because you can instantly start building your loop up - great in live situations.
Testify!
A little note/advice on looping in general here, and this is just personal opinion based on many years of performing solo with a loop pedal. If you've just got a looper and are going to play live with it - use it sparingly. It should add to your performance rather than detract from it. Don't sit there building up a loop for 3 minutes before actually getting into the song - your audience will most likely get bored, no matter how incredible your looping technique is. There's so many videos on YouTube of people building up loops and turning a 3 minute song into an 8 minute song. AIN'T NOBODY GOT TIME FOR THAT! Look, your job as a performer is to entertain people - for the most part they want to hear a song they love and sing along with a drink in their hand. In a typical gig, I'll play for 2 hours and use the looper on maybe 25% of songs, usually for a bit of percussion or a simple vocal loop. I'll build my loop as quickly as I possibly can so that I can get straight into the song and ensure that the crowd stay engaged.
Anyway, back to the RC-30...
So, yep, nice and easy to use straight out of the box, and the second thing I notice is that the pedal is lovely and responsive. The old RC-20XL had a really annoying trait whereby there was a tiny delay after hitting the playback button when you record your first loop. I'm very pleased to report that the RC-30 eliminates this problem, and the loop starts exactly when you expect it to. It's amazing how off-putting that little delay was, it's probably a matter of milliseconds but can throw your entire timing out. The RC-30 is spot on, and it's instantly improved my looping - now I have 100% confidence in my loops and I know that if there's any timing issues then that's my fault not the pedal's.
Dual track attack
From the RC-20XL which was a basic one track looper, the RC-30 brings in a second track to record on. Fun! But a little complicated at first if you've only ever used a single track looper before, like me. I didn't explain it as well as I could've in the YouTube video, but it's actually very simple to explain how to use dual tracks on this pedal:
- firstly, you select which track you record on (as standard you will start on track 1)
- use left pedal to record/overdub your loop (pressing the right pedal will stop playback)
- hold the right pedal down for 2 seconds to switch to track two
- the pedal functions remain exactly the same: record/overdub with the left pedal and stop playback with the right pedal. However now you are recording/overdubbing/stopping playback on track 2 while track 1 continues playing the loop you've already recorded.
- to switch back to track 1, hold down the right pedal for 2 seconds again
- now you're back on track 1. Your left and right pedal functions remain the same but apply to track 1. So you can continue to overdub or stop track 1 and if you've recorded a loop on track two, it will continue playing regardless of what you do on track 1
Simple? Yeah, pretty much - once you get the hang of it it's a doddle. However I do stand by what I said in my video review - this pedal will be much easier to use with the optional footswitch - either the Boss FS-5U single pedal or better, the FS-6 dual switch. This will eliminate that annoying 2 second delay when holding down the right hand pedal to switch tracks. If you're singing while looping, which I do, I think the footswitch is pretty much essential.
Compatible footswitches
The other thing to mention quickly with dual tracks on the RC-30 is that double-tapping the right hand pedal stops playback of both tracks. Then, when you want to kick playback in again, it will start playing whichever track(s) you have selected at the time. Holding the right hand pedal down will toggle between track 1, track 2, or both tracks together.
Now this is where it gets fiddly if playing live. For example, I sometimes want to drop everything out momentarily, then bring the whole loop back in. This is nigh-on impossible without the extra footswitch because you have to double tap the right pedal, then toggle tracks by holding down the right pedal until both tracks are active - then hit left to playback. If you only have a second or two to do this, it's not possible! I have a couple of songs where this is what I want to do, so I'll need to get the footswitch to do this in live situations.
I was kind of hoping the footswitch functions would be customisable - but from what I've read it seems that their functions are fixed. This is a little annoying - if anyone knows any different, please comment below and let me know.
Other features
So that's the main guts of it covered. It's worth quickly mentioning some of the other stuff this pedal can do. There's a selection of onboard FX which I've had a quick play around with, and they're pretty useable. I like the sweep filter, and the downward pitch bend would be a pretty cool and unexpected way of ending a song in a live situation. The lo-fi effect sounds pretty cool too. Saying that, I've not actually figured out how I'm going to get any of these FX into my live show yet - but I may start sneaking the odd effect in soon!
Onboard FX
It has a complement of rhythm tracks, similar to the RC-20 pedal. I occasionally used the simple bassdrum track on the old pedal, but in all honesty I can't see myself using any of these pre-recorded rhythm tracks. Does anyone actually ever use these? Boss say it can be used for "jamming at home" or whatever - I just can't really imagine anyone actually doing this - but maybe it's handy for a hobby guitarist or something. Personally, I build all my loops live so I probably won't ever use the memory function.
You can import loops from your computer too - I might explore this soon for some of my more complex loops. Could be pretty useful.
In conclusion
Overall then, I'm really pleased that I chose the RC-30. If I was to give it a score, based on my main criteria of value-for-money, build quality, usability, features and sound quality, I'd give it 9 out of 10. I've not tried any of the other loopers on the market at the moment so can't do a comparison. All I can say is that it's a dramatic improvement on the old RC-20XL pedal - much more useable and flexible, with much better sonic quality.
There's just a couple of little niggles that I've explained above, but I think you have to compromise a little, unless you go all-out and get one of the giant loop stations which make you a cup of tea and shine your shoes as you loop.
I'll look forward to a number of years of happy looping with this pedal! If you have any comments or suggestions, please post them in the comments below.
Pat
Last Sunday I played some acoustic tunes at the Bristol Vintage Wedding Fair, hosted at the Pavilion, Bristol Zoo Gardens. I recorded some of my set and am just in the process of editing/uploading some live videos from the event. Here's the first one, a cover of George Ezra's "Blame It On Me".
George is a local boy, from right 'ere in Brizzle town! I love his album "Wanted on Voyage" - his voice is amazing and the album's full of upbeat, Summery songs. I'm also looking forward to seeing him live in Bristol this Summer!
